The 15 Greatest TV Series of All Time — Posters for the Ultimate Fan
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The 15 Greatest TV Series of All Time — Posters for the Ultimate Fan
There is an argument — made with increasing confidence by critics and viewers over the past two decades — that the greatest storytelling currently happening in any medium is happening on television. The Wire, Breaking Bad, The Sopranos, the shows that redefined what a long-form narrative could achieve: television seized the space that cinema could not afford to occupy, the space of genuine, patient character development across years and dozens of hours of story.
The fifteen series in this third and final article of our blog trilogy represent the television that matters most to the audience that shops at 98types: the shows that generated the most devoted fanbases, the most passionate arguments, the most genuine grief when they ended. From the supernatural wit of Buffy the Vampire Slayer to the algorithmic precision of Mr. Robot; from the defining British sitcom of the century in Gavin and Stacey to the animated masterwork that is Avatar: The Last Airbender — these are the series that earned a place on the wall.
At 98types, we print on 260gsm museum-grade archival matte paper, dispatch same-day from our Camden Market studio, and offer every print from £3 with our Buy 3 Get 1 Free deal. This is our complete TV series collection — reviewed, contextualised and ready for your wall.
The Series That Changed Television
Lost (2004–2010) — The Television Event That Proved Network Drama Could Sustain Mystery
There were two kinds of television viewers in the mid-2000s: those who were watching Lost and those who were going to watch Lost. JJ Abrams and Damon Lindelof's ABC drama — the survivors of Oceanic Flight 815, stranded on an island that was obviously not ordinary — created a shared cultural experience of extraordinary scale. The hatch. The numbers: 4, 8, 15, 16, 23, 42. The Others. The Dharma Initiative. Each season's concluding revelation restructured everything the audience thought they knew.
Terry O'Quinn as John Locke is one of the most compelling characters in television history: a man whose island experience transforms him from tragic victim to something almost prophetic, and whose backstory — revealed in the series' signature flashback structure — is one of the great character revelations in dramatic writing. Matthew Fox's Jack Shephard. Evangeline Lilly's Kate. Michael Emerson's Benjamin Linus, introduced in season two and immediately established as one of television's great antagonists.
The finale divided its audience cleanly in half and still generates arguments in online communities devoted to the series. People who loved it and people who felt betrayed by it tend to be equally passionate, which is itself a form of tribute. Lost at its peak — the first two and a half seasons — is the finest network drama in American television history. The 98types Lost print is for the viewer who remembers watching the hatch sequence in real-time and feeling genuinely frightened.
Mr. Robot (2015–2019) — The Show That Made the Tech Industry Nervous
Sam Esmail's USA Network drama about Elliot Alderson — a cybersecurity engineer by day, vigilante hacker by night, unreliable narrator by structure — was watched nervously by the technology and finance industries when it aired because it got hacking completely right. The technical consultants confirmed that every exploit shown in the series was real and executable. The network had to decide, several times, whether to air sequences that were essentially tutorials in major vulnerability attacks.
Rami Malek won the Primetime Emmy for Outstanding Lead Actor in a Drama Series for his performance as Elliot, and it remains one of the defining TV performances of the decade: a man in active warfare with his own mind, whose relationship with the viewer — he speaks directly to camera, treats us as a confidant, and then demonstrates that he cannot be trusted — is one of the most sophisticated uses of unreliable narration in television. Christian Slater as Mr. Robot. The twist that changes everything in season two, and the way the series handles it.
Esmail directed every episode of the final season himself and delivered one of the most satisfying series conclusions in recent television. Mr. Robot's specific prescience — surveillance capitalism, corporate oligarchy, dissociative identity and the ethics of vigilante hacking — makes it feel more relevant with every passing year. The 98types print: for the viewer who understands what Elliot was actually trying to do.
Ozark (2017–2022) — Netflix's Most Decorated Drama
Bill Dubuque and Mark Williams' Missouri crime drama is Netflix's most Emmy-decorated series: 44 nominations, 11 wins across its four seasons. Jason Bateman both stars as Marty Byrde — a Chicago financial planner who must launder money for a Mexican cartel in the Missouri Ozarks after a scheme goes wrong — and directs the majority of the series' most striking episodes. The decision to desaturate the footage by 18 percent, giving every scene a distinctively cool, blue-grey palette, is one of the most immediately recognisable visual choices in recent prestige television.
Laura Linney as Wendy Byrde is the performance that makes the series exceptional: a woman who begins as a passenger in her husband's catastrophe and gradually reveals a capacity for moral compromise, strategic violence and self-deception that makes her the most compelling figure in the show's increasingly complex moral universe. Julia Garner as Ruth Langmore, twice Emmy-winning, is the breakout character who slowly revealed herself as the series' actual protagonist: a young woman from a criminal family who contains the story's most genuine moral conflict.
Bateman and Linney's relationship — the Byrdes are one of the most watchable dysfunctional married couples since Tony and Carmela Soprano — anchors four seasons of escalating stakes with enough human texture to prevent the series becoming pure thriller. The 98types Ozark print, in 260gsm archival matte, is for the viewer who considers the Byrdes the most alarming married couple in television.
House M.D. (2004–2012) — Everybody Lies
David Shore's FOX medical drama gave Hugh Laurie one of the defining roles of his career — and one of American television's most iconic characters. Dr. Gregory House, the misanthropic, Vicodin-dependent diagnostic genius who applies Sherlock Holmes methodology to medical mysteries while maintaining absolute contempt for his colleagues, his patients and the social conventions that make medicine a caring profession — is a figure of genuine moral complexity. The show knows that House is damaged and difficult and often wrong. It never pretends otherwise.
Eight seasons. 177 episodes. The diagnostic whiteboard differential. Omar Epps, Jennifer Morrison, Jesse Spencer and Robert Sean Leonard as the team that House uses and cares about and would never acknowledge caring about. The series' recurring structure — mysterious symptom, wrong diagnosis, near-death, revelation, correct diagnosis — should have become repetitive by season two. Instead it generated eight years of audience investment because Shore and his writers understood that the medical puzzle was never the point. The point was House himself, and what it costs a person to be exactly what he is.
Six Emmy nominations. The moment in season two — the episode 'House's Head / Wilson's Heart' — is still the finest two-part episode in procedural television. The 98types House M.D. print is for the viewer who can tell you which season was the best. (It is season two.)
Sex Education (2019–2023) — The Most Progressive Teen Drama British Television Has Produced
Laurie Nunn's Netflix series achieved something genuinely rare: a British coming-of-age comedy that was the most progressive teen drama on television, the most honest treatment of adolescent sexuality in English-language fiction and one of the funniest shows of its era simultaneously. The fictional Welsh comprehensive of Moordale Secondary, styled after an idealised 1980s American high school, is the setting for storylines about sexual anxiety, queer identity, disability, body image, trauma and consent handled with a specificity and warmth that nothing else on television was managing at the same time.
Asa Butterfield as Otis Milburn — the accidental school sex therapist, son of sex therapist Jean (Gillian Anderson, magnificent) — anchors the series. Emma Mackey as Maeve Wiley is its emotional intelligence: a character written with enough contradictions to feel genuinely real rather than dramatically constructed. Ncuti Gatwa as Eric Effiong, in the role that led to his casting as Doctor Who, is the series' most joyful and frequently most moving presence.
Four seasons, across which the series expanded its world, deepened its characters and maintained a consistent commitment to the principle that young people's inner lives deserve to be taken seriously. The 98types Sex Education print: for the series that felt like it was talking directly to its audience.
Vikings (2013–2020) — The History Channel's Most Ambitious Drama
Michael Hirst's six-season historical epic gave the History Channel its most-watched scripted series and Travis Fimmel one of the great television performances of the decade. Ragnar Lothbrok — the visionary Norse farmer who becomes the most feared raider of his era, who sacks Paris and settles in England and challenges the assumptions of his entire civilisation about what is possible — is a character of genuine complexity: charismatic, visionary, deeply flawed, ultimately tragic.
The series' first four seasons, tracking Ragnar's rise and its consequences for the people around him, constitute one of the finest historical dramas in television history. The raids on the English coast. The political relationship with Ecbert of Wessex (Linus Roache). The Paris siege across two seasons, ending in one of television's most elaborate set-pieces. Rollo's choice and its long-term consequences. Lagertha's trajectory across the series as one of television's most compelling female protagonists.
When Ragnar dies — in a manner so extreme that it functions as almost mythological — the series continues with his sons, and the following two seasons track the next generation's stories with enough ambition to justify the transition. The 98types Vikings print, in museum-grade 260gsm, is for anyone who grew up watching the raids and found themselves reading about the actual Norse expansion into Europe.
The British Comedies That Defined Their Eras
Gavin and Stacey (2007–2024) — The Defining British Sitcom of the 21st Century
James Corden and Ruth Jones wrote a sitcom about a long-distance relationship between a man from Billericay in Essex and a woman from Barry Island in Wales, and created something that ran for four seasons across seventeen years and pulled 18 million UK viewers for its 2019 Christmas special — one of the highest-rated non-sports broadcasts in British television history. When a final special was announced for Christmas 2023, it generated genuine national anticipation.
Four characters in particular: Smithy (Corden), whose friendship with Gavin is the emotional centre of the male side of the series; Nessa (Jones), whose romantic history is one of the show's great running gags and whose relationship with Smithy is the series' unresolved romantic question; Dave (Rob Brydon), whose gentle decency and dry wit make him the series' most reliably funny character; and Doris (Melanie Walters), whose enthusiasms are the series' warmest running joke.
'What's occurring?' Gavin and Stacey is warm, funny and specifically, defiantly British in a way that international comedies cannot replicate. The world it creates — Barry Island, the Shipman house, the Billericay commuter belt — is as fully realised as any fictional universe in British television. The 98types print: for the UK viewer who considers this the benchmark by which all contemporary British sitcoms are measured.
Gavin and Stacey (2007–2024) — The Defining British Sitcom of the 21st Century
James Corden and Ruth Jones wrote a sitcom about a long-distance relationship between a man from Billericay in Essex and a woman from Barry Island in Wales, and created something that ran for four seasons across seventeen years and pulled 18 million UK viewers for its 2019 Christmas special — one of the highest-rated non-sports broadcasts in British television history. When a final special was announced for Christmas 2023, it generated genuine national anticipation.
Four characters in particular define the series beyond its central couple: Smithy (Corden), whose friendship with Gavin is the emotional centre of the male side of the series and whose inability to commit to Nessa is one of British comedy's great suspended resolutions; Nessa Jenkins (Jones), whose romantic history is the show's most consistently funny running gag and whose deadpan delivery of the most extraordinary lines imaginable makes her one of the great comedic creations of the era; Dave Coaches (Rob Brydon), whose gentle decency and perfectly timed dry wit make him the series' most reliably funny presence in any given scene; and Doris (Melanie Walters), whose enthusiasms — for Barry Island, for her garden, for her daughters — provide the series with its warmest comedy.
The Christmas 2023 special answered, finally, the question that the show had been circling since 2010. The 98types Gavin and Stacey print is for anyone who considers this the benchmark against which all British sitcoms of the 21st century must be measured.
Schitt's Creek (2015–2020) — Nine Emmys and the Comedy of Genuine Warmth
Dan Levy and Eugene Levy's Canadian series spent five seasons on CBC being appreciated by a modest audience and then arrived on Netflix, where it promptly won nine Emmy Awards in a single year — a record for a comedy series — and became one of the most talked-about shows of the pandemic era. The Rose family — Johnny (Eugene Levy), Moira (Catherine O'Hara), David (Dan Levy) and Alexis (Annie Murphy) — are stripped of their fortune and forced to live in the small town of Schitt's Creek, which they previously bought as a joke.
What the series does with this premise is remarkable: it refuses to make the joke at the town's expense. The residents of Schitt's Creek — Bob, Ronnie, Stevie, Roland and Jocelyn Schitt — are ordinary people of genuine warmth, and as the Roses slowly integrate into the community, the comedy becomes a story about how privilege does not actually protect you from needing other people. David's love story with Patrick (Noah Reid) is one of the most thoughtfully, joyfully written queer romances in mainstream television.
Catherine O'Hara's performance as Moira Rose — the former soap actress navigating small-town Ontario with a wardrobe that belongs in Cannes and a theatrical self-regard that is also, slowly revealed to be, genuine maternal love — is one of the great comedic performances in recent television history. 'Ew, David.' The 98types Schitt's Creek print is for the viewer who considers the series a comfort rewatch.
The Genre-Defining Series That Created Devoted Fandoms
Buffy the Vampire Slayer (1997–2003) — The Show That Invented the Modern TV Season Arc
Joss Whedon's decision to take the horror film convention — the blonde girl who dies first — and reverse it entirely was a concept that sounds simple in retrospect and was genuinely revolutionary in 1997. Buffy Summers was a feminist icon before the term was in common use in mainstream cultural commentary. Sarah Michelle Gellar's performance across seven seasons sustained a character who aged, changed, suffered genuine loss and retained her fundamental warmth with extraordinary consistency.
The show invented the modern TV season arc as we understand it: the 'Big Bad' concept — a season-long villain who provides narrative coherence across 22 episodes — was Whedon's innovation, and it has been replicated in virtually every drama series that followed. The musical episode 'Once More with Feeling' (season six) demonstrated that a television series could pull off something that had never been successfully attempted in dramatic genre TV. The silent episode 'Hush' (season four) — in which a group of fairy-tale monsters steal the voices of everyone in Sunnydale — is the finest single episode of horror television ever produced.
The Scooby Gang. The Hellmouth. Angel. Spike's arc. The season five finale. Anya's death and Xander's grief. Buffy Summers is one of the greatest television characters of her era, and the 98types print honours one of the defining series of the medium's maturation.
Charmed (1998–2006) — The Three Sisters and Eight Seasons of Witchcraft
Constance M. Burge's supernatural drama gave an entire generation their defining witch aesthetic: the Halliwell manor in San Francisco, the Book of Shadows, the Power of Three. The original trio of Prue (Shannen Doherty), Piper (Holly Marie Combs) and Phoebe (Alyssa Milano) — each with distinct elemental powers — navigating demons, warlocks and the specific challenges of balancing supernatural responsibility with ordinary life, ran for three seasons before Doherty's departure and Rose McGowan's introduction as Paige, the half-Whitelighter fourth sister.
Eight seasons — one of the longest supernatural dramas in American television history. The show's combination of supernatural action, sisterly dynamics, genuine comedy and the kind of progressive-for-its-era feminism that presented three women as the most powerful forces in the magical world made it a formative series for a generation of young female viewers in particular. The original series is back on streaming platforms, introducing itself to a new generation simultaneously discovering why it mattered.
For anyone whose idea of a witch was shaped permanently by the Halliwell sisters in the Manor, the 98types Charmed print is the obvious wall art choice.
Sabrina the Teenage Witch (1996–2003) — The Original and the Best
Before Chilling Adventures of Sabrina, before every gritty reimagining of the Archie Comics universe, there was Melissa Joan Hart as Sabrina Spellman, discovering her powers on her sixteenth birthday and navigating Westbridge, Massachusetts with the help of Aunt Hilda, Aunt Zelda and Salem — the former warlock confined to a cat's body as punishment. Seven seasons of the WB/UPN sitcom established the template for supernatural family comedy and created one of the most beloved characters in 1990s teen television.
Salem the cat — voiced by Nick Bakay, whose comic timing gave the character a dry, sardonic wit — is one of television comedy's great supporting characters. The magical Other Realm, with its logic that mirrors but parodies ordinary reality, gave the writers a flexible comic toolkit that sustained the series across seven seasons without exhaustion. Harvey Kinkle. The Witch's Council. The Magic Book. The 98types Sabrina print is for anyone who grew up with the original and considers it definitively superior to every subsequent version.
Pretty Little Liars (2010–2017) — The Fandom That Generated a Thousand Theories
I. Marlene King's ABC Family adaptation of Sara Shepard's bestselling novel series ran for seven seasons and generated one of the most dedicated and analytically active fandoms in American television history. Spencer, Hanna, Aria and Emily — four friends in Rosewood, Pennsylvania — tormented by the anonymous A, whose knowledge of their secrets escalates from uncomfortable to genuinely dangerous, became one of the defining ensemble casts of 2010s teen drama.
The series understood something about its audience that more prestigious dramas often do not: that the pleasure of complex mystery plotting is the engagement of the viewer as an active participant in the story's construction. The A reveal theories, the Reddit threads, the fan wikis that meticulously tracked continuity — Pretty Little Liars created a relationship with its audience that was interactive in the social media era in ways no television of the previous decade could have been.
The fashion, which was designed with genuine intentionality and had real cultural influence on mainstream teen style in the early 2010s. The romances, which spanned the four leads' relationships with a cast of recurring love interests handled with more care than the genre typically affords. The 98types Pretty Little Liars print is for the viewer who knows exactly which A reveal worked and which did not.
Avatar: The Last Airbender (2005–2008) — The Animated Series That Adults Call One of the Greatest Shows Ever Made
Michael DiMartino and Bryan Konietzko's Nickelodeon series occupies a specific position in television history: the animated series that adults feel completely comfortable defending as one of the greatest television shows ever made, in any genre. Aang, the last Airbender, discovered frozen in an iceberg and thawed by siblings Katara and Sokka, must master all four elements before the Fire Nation's comet provides Fire Lord Ozai with the power to complete his conquest of the world. Three seasons. Sixty-one episodes. A conclusion that earns every tear.
The show's formal achievement is in the integration of its world-building with its character development: the four nations' martial arts bending styles are drawn from real Chinese martial arts traditions (Tai Chi for Waterbending, Hung Gar for Earthbending, Northern Shaolin for Firebending, Ba Gua for Airbending), and the world's political structure — occupation, colonialism, cultural erasure — maps onto real-world histories without ever being instructionally heavy-handed.
Zuko's arc — from antagonist to conflicted prince to ally — is one of the finest character redemption arcs in storytelling, animated or otherwise. The episode 'Zuko Alone' is perfect television. The final four-part 'Sozin's Comet' conclusion is the finest animated finale of any series. The 98types Avatar: The Last Airbender print, museum-grade on 260gsm archival matte, is for the viewer who spent years defending the medium of animation to people who should have known better.
The Fresh Prince of Bel-Air (1990–1996) — Will Smith Before Everything Else
Andy and Susan Borowitz's NBC sitcom launched Will Smith from rapper to global film star across six seasons in which his fictionalised self was sent from West Philadelphia to live with his wealthy aunt and uncle in Bel-Air and navigated the collision between his background and their aspirations with charm, comedic instinct and — in the series' finest moments — genuine dramatic depth.
The theme song is the most universally known sitcom theme in American television history: a generation can recite it in its entirety on zero notice. Carlton's dance. Geoffrey the butler's dry commentary. Uncle Phil's authority and the warmth beneath it. The specific comedy of Will and Carlton's relationship — different values, different approaches to what it means to be Black in America, different levels of comfort in the Bel-Air world — gave the show a social texture that most sitcoms of its era could not match.
The season four episode 'Papa's Got a Brand New Excuse' — in which Will's absent father returns and then abandons him again, and Will's rage and grief erupt in one of the most powerful dramatic performances in sitcom history — is the episode that recontextualises the entire series. James Avery as Uncle Phil, holding Will as he breaks: one of television's great scenes. The 98types Fresh Prince print is for anyone who grew up with this show and still considers the theme song part of their memory.
That Time I Got Reincarnated as a Slime (2018–) — Isekai at Its Warmest
Yasuo Ohsaka's adaptation of Fuse's light novel stands out in the crowded isekai genre for a quality that most entries in the category lack: genuine warmth. Satoru Mikami, a 37-year-old salaryman, is stabbed to death and reincarnated in a fantasy world as a slime — the most basic and supposedly weak monster classification — with the ability to absorb and mimic any living creature he consumes. Rather than becoming a power fantasy, the series instead becomes a story about community-building: Rimuru Tempest's project is not conquest but coexistence.
The series' politics — the monster city of Tempest as a space where different species live together under a leadership philosophy of genuine inclusion — are handled with a lightness that makes them more rather than less effective. The comedy of Rimuru's situation, the cast of memorable companions and the escalating scope of the world across three seasons and multiple films have made That Time I Got Reincarnated as a Slime one of the most consistently popular isekai series in the genre's history.
For fans of isekai who prefer community to carnage, and for anyone who wants an anime series on their wall that reflects their values as well as their taste.
What the Greatest TV Series Have in Common
The fifteen series in this article were made across four decades, across four countries, in genres from supernatural teen comedy to prestige crime drama to animated fantasy. What they share is the capacity to create genuine attachment in their audience — not just enjoyment, but the kind of investment that makes the series feel like a part of your life while you are watching it and a part of your memory after it has ended.
Television's specific advantage over cinema is time. A film has two hours to make you care about its characters. A series has twenty, forty, a hundred hours. The best television uses that time to make its characters feel like people you know — whose decisions surprise you but make sense, whose relationships develop with the organic messiness of actual human relationships, whose stories have enough room to breathe that you feel like you are inhabiting their world rather than watching it through glass.
Lost made you genuinely frightened for characters you had known for two episodes. Buffy made you genuinely mourn deaths that happened in fictional universes in the late 1990s. Schitt's Creek made you feel the specific warmth of a community in a way that required six seasons to earn. Mr. Robot made you trust a narrator and then showed you exactly what that trust had cost.
These series earn their place on the wall not through spectacle but through accumulated feeling: the way you feel when a character you have followed for four years finally makes the right decision, or the wrong one, or the one you did not see coming. The 98types TV collection is for the viewer who knows exactly what that feeling is.
Building Your Television Gallery Wall
A TV series gallery wall works differently from a film collection because the emotional investment is different: these are shows you lived with for months or years, that punctuated your week, that you discussed with people you care about. The best TV gallery walls tend to be more personal and more idiosyncratic than film ones.
Group by era of your life. Buffy, Charmed and Sabrina together represent a specific period — late 1990s, formative supernatural television — and that grouping will resonate with anyone who watched them at the same time. Fresh Prince and Gavin and Stacey represent different national eras of the sitcom. Lost, House MD and Mr. Robot represent the prestige drama era.
Mix tone. Schitt's Creek next to Ozark. Avatar: The Last Airbender next to Mr. Robot. The contrast between warmth and darkness makes both feel more vivid.
Include the show you love that nobody else does. The best gallery walls have at least one print that makes visitors say 'I didn't know you watched that.' The conversation that follows is usually worth having.
All prints 260gsm museum-grade archival matte. From £3. Buy 3 Get 1 Free. Same-day dispatch from Camden Market, London.
Frequently Asked Questions
Which TV series poster is your best seller? Our Buffy the Vampire Slayer and Gavin and Stacey prints are among our most consistently popular TV series choices. For gift purchasing, Schitt's Creek and House MD are frequently chosen for their wide recognition.
Do you have series not listed here? Our collection is updated regularly. The series covered in this article represent our current TV collection. Check 98types.co.uk for the most current selection.
Are TV series prints suitable for adults or children? The content of our prints is always appropriate for display. Avatar: The Last Airbender and Sabrina the Teenage Witch prints are popular in children's bedrooms. Ozark, Mr. Robot and Lost suit adult spaces.
Can I order a specific scene or character from a series? Our prints capture the visual identity and mood of each series rather than specific scenes. If you have a request for a specific series not currently in our collection, contact us at our Camden Market studio.
How long does UK delivery take? Same-day dispatch from Camden Market for orders placed before 2pm. Standard UK delivery 1–3 working days. Express options available at checkout.
Is the Buy 3 Get 1 Free offer available on TV series? Yes — the offer applies across all collections. You can mix films, TV series, anime, music, sports and any other collection to qualify for the free print.
Conclusion — The Three-Part Trilogy Complete
Across three articles, we have covered 48 films and television series that represent the full range of what screen storytelling can achieve: the prestige drama that demands patience and rewards it; the cult film that was always going to find its audience; the world cinema that demonstrated filmmaking as a global conversation; the television series that redefined what long-form storytelling could do.
Together, these 48 titles represent our complete film and TV collection at 98types — every one printed on 260gsm museum-grade archival matte paper, available from £3, dispatched same-day from our Camden Market studio. Build your gallery wall with the films and series that have shaped how you see the world. That is what walls are for.
Shop the full collection at 98types.co.uk Camden Market, London NW1 8AL · 260gsm Museum-Grade · From £3 · Buy 3 Get 1 Free · Same-Day Dispatch
→ Read Part 1: The 16 Greatest Drama Films of All Time → Read Part 2: Cult Classics, Genre Films & World Cinema
Tags: TV series posters UK, best TV shows wall art, Netflix series poster UK, BBC TV poster UK, Lost poster UK, Buffy the Vampire Slayer print, Ozark wall art, Schitt's Creek poster UK, Mr Robot print, Avatar Last Airbender poster UK, Fresh Prince poster UK, Gavin and Stacey print, House MD poster UK, film and TV wall art Camden Market
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